London Jazz Festival - Highlights

Naturally7 & Marcus Miller, hip-hop jazz fusion & intricate polyphonic free-jazz...and that's just some of the highlights from the fraction of the London Jazz Festival I managed to make it to in November last year. So that you don't shoot yourselves (or me) I won't review the lot, but here's some of the most fantastic stuff I simply have to share.

Look these people up. Find out when they (or similar artists) are playing live next. Listen to new, innovative music and realise jazz is alive; it didn't die with Davis & Coltrane.

Naturally7
If you haven't heard Naturally7 yet then, firstly - welcome to this blog, and secondly - you'll want to check out this infamous video. Every show starts with the thrilling "every sound you are about to hear is produced by the human voice alone"...but it would be fantastic even if that weren't true.

They're a vocal-play group from New York City, that started off singing in Church together and still show their evangelical roots in their shows; whilst also being complete rock-star showmen. Everything was perfectly choreographed, fantastically tight and still left room for improvisation and humour.

After a medley of Rapper's Delight; Saturday Night; Billy Jean and; Startin' Something there was quite literally a full five minutes' applause which the band couldn't stop (I'm sure we missed a song thanks to that). It wasn't all covers, but the overriding memory I'll take from that gig is hearing The Sound Of Silence in 7 part vocal harmony...amazing.

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Sorry, I went on a bit there, I'll try and trim it for the rest...

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_{Louise Golbey - the nicest person on the UK jazz scene}

Jay Phelps - find this man playing live, go and listen to him. A gorgeous sound from an old and battered trumpet, simply and elegantly composed.

Rebirth of the cool - an East London youth project. 2 DJ's, 2 rappers, 3 singers/choral backers and a jazz quartet from Trinity College playing together. I can't even begin to describe how fantastic this was; but this is a distinct, new sound I've heard fragments of elsewhere that I'm looking forward to hearing more of.

Louise Golbey - a soul/jazz singer with just the right mixture of poppy joyfulness, musical intellect and technical skills to make it in both the jazz and pop worlds, I see great things for this girl. A fantastic voice and superb backing band - all that's wanting is a bit more confidence and maturity before we hear her on Radio 1. Go listen.

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There's more, much more, that I'd love to talk about. Buy me a drink sometime and I will - for now though, I'll leave you with a show where I thought I'd see one of my favourite musicians, and ended up finding a new favourite instead.

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Marcus Miller (feat. Christian Scott)
The gig itself was actually just billed as 'Marcus Miller' (one of my favourite bassists), playing from the Tutu - the last album he wrote for Miles Davis.

"Miles never looked back, never played the old stuff", Marcus told us, "so the only way I thought I could do this tribute is if we got a whole bunch of new young musicians together to play it".

The support act (Gary Husband's Drive - also worth looking up) finished. Marcus walked on stage, and played an impossibly technical - but also beautiful - bass solo. A world-class drummer joined him, and a tenor sax player ran on to play a fantastically passionate and elaborate solo for at least a minute.

Christian Scott swaggered onto the stage.

There really is no other word for it, this was the most laid back entrance I've ever seen a musician make - of any standard and on any stage. The rest of the band looked at him, he waited. And waited. And played two notes. And paused.

The standing ovation was so loud I have no idea what happened on stage for the next minute or so. This is the best trumpet player I have ever heard, including any old recording. He's 24 years old and he's going to be massive - keep your eyes out.

Accountants Can't Count

Every day, on my way into work, I see a giant poster on the tube wall advertising the Institute of Charted Accountants, which reads thus:

"Over 84% of FTSE 100 companies have an ACA on their board."

- also available on their site. Now, whilst this may well be true, it seems an odd way to phrase things. There are, by definition, one hundred FTSE100 companies. As such, it surely shouldn't be too hard to come out with an exact percentage.

I was tempted to believe that maybe this was just some clever marketer trying to make it seem like there were possible many more than just 85 FTSE100 companies with an ACA on their board. But, frankly, having seen the rest of the advert (a picture of a fairly shoddy leather chair), I don't really believe they hired a marketing consultant. I'm more inclined to believe it's just a rounding error..

Go See Some Jazz

As anyone within range of my various streams of communication will know by now, this week is London Jazz Festival - and it's fantastic. Unlike a traditional jazz festival, this is spread out all over the city and instead of catering to any kind of elitist crowd is happy to move between hip-hop, classic vocal tracks, poppy piano and experimentalism; in addition of course to the more standard contemporary jazz which is played at a superb standard by a range of up-and-coming stars and established legends.

Personally, it's the former I've been a lot more excited about seeing - I know Sonny Rollins is great but I've heard so many of his albums, collaborations and live tracks already that I'm not going to get much new out of it. A 12-piece jazz/hip-hop youth collective last night, on the other hand, presented me with an entirely new sound; one that I've never come across before (presuming it even exists) and am really looking forward to hearing develop over the coming decade.

I'll post up some reviews of the more special shows I've seen shortly, but if you're near London (or prepared to travel) then there's fantastic gigs on right up until the evening of Sunday 22^nd November (when I'm hearing Marcus Miller play from Tutu - the album he wrote for/with Miles Davis). Get in touch if you want some recommendations/company.

You don't need to know a lot about jazz to come, it's not that kind of crowd - and I've rarely brought a newbie friend along that hasn't enjoyed some part of the show. Give it a try :)

Grad Fair Fun

For three years now I've been heading out to the various graduate recruitment fairs in the autumn to chat to students about where they should work: specifically, at Microsoft - or this year, Thomson Reuters. It's amazing how easily my loyalty can be bought with a bunch of cash (take note people).

I love these things - it's fun chatting to some of the bright students but it's a lot more amusing to watch the dumb ones come up and make fools of themselves in front of the people who'll be recruiting them in future. Here's a few of this year's classic quotes:


"I'm at University but I don't really like it so I'm thinking of something else, can you recommend anything?"
Yes, not going to a graduate recruitment fair.

"Are you guys French?" No. "Oh so you're posh then?" ...

"I've got a lot of experience as a bakery assistant, and doing cake decorating" I don't think we're the right company for you "No no...look at my CV [two pages of catering qualifications]".

"I've got a psychology degree."


It's also amusing to see different companies' approach to recruitment. Aldi go down the subtle route, with an Audi A4 parked in the middle of the fair and "£40k starting salary" - I think it would be a bit redundant to ask what kind of hours their grads can expect. It was also fun to see Royal Mail had a large stand at the fair (and their exhibitors turned up) - and to listen to the grads ribbing them.

Finally, at the Birmingham fair I wandered over to the Aston University stand to say hi to the folks there, which ended up turning into a nice little meeting point for the various ex-grads who've managed to land themselves jobs now. I think I volunteered to have a profile of my [ahem] fantastic success in the new Undergraduate Prospectus.

Music in the street

I headed out to Spitalfields Markets for Spitalfields Stew recently, a free, al-fresco jazz festival and generally fantastic idea. The sun was shining, the market was packed with people and there was a great crowd sprawled all around the stage. Also I had a picnic, I love picnics.


_{I never got a turnout this good for my jazz gigs...}

The Billy Jenkins Blues Collective were up first and I highly recommend the show if you can see them anywhere - suburban blues with a load of energy, and featuring (slightly unusually) a violinist, fantastic.

Ordesa played second - I've seen these chaps before but they were fantastic. Kenny Wheeler (nearly 80 years old, but you can't tell) on trumpet, playing with just a guitarist and saxophonist. Beautiful, simple music played perfectly.

Finally there was a 5 piece improvisation (two bass, two drums and Jan Kopinski leading on saxophone), which whilst slightly too wild and abstract for half the folks who came out for a day in the sun with some pretty music, was still a bit disappointing for me. I guess I listen to too much Ornette Coleman...


_{I'm behind his left ass-cheek}

After all this, we wandered over to Brick Lane (where all the oh-so-so-so-so trendy kids hang out) and saw Ben Walker singing his fantastic Twitter Song (and a beautiful ditty composed for Hugh Fearnley-Whittingstall). Check him out sometime when you can.


_{Seriously, two hats. I'll never be that trendy.}

Good times in London abound! :)
Xx

Bacon Theft

..had to share this one:



Xx

Edit: Image fixed.

I'm in London..

..and far too busy to post much - just thought I'd drop you guys a note so no-one thought I'd died. I'll post pictures & stories when things calm down a bit (3 months or so I'm thinking).

In the meanwhile, Manu Delago is playing in Leicester Square next weekend, I'll probably be going on the Friday if anyone's about. Respond via phone/text ideally.

Xx

Original Documents

I'm moving to London. Exciting.

Less exciting, however, is the process of doing this. Specifically, dealing with letting agents and a new landlord. I don't mind the letting agents stealing my wallet every time I enter their premises. I don't mind that the landlord is trying to slip a clause into the contract saying everything I move into the house becomes his property. I don't mind that all amounts in the contract are actually written in an obscure currency which has a symbol nearly identical to £, but means I pay triple what I expected - this is all fairly standard fare.

What I do mind, is the constant requests for 'original documents' and 'paper proof'.

I don't have any bank statements. I don't have any bills with my address on them. I don't have any 'formal letters' (whatever they are). I use the Internet* for everything. On the off-chance someone does send me something in such an archaic format as paper, I generally throw it in the bin unread.

Whilst we're on the subject, I don't have a fax machine. I don't want to print off the attachment you've emailed me, sign it and then fax it back to you. A fax machine isn't more secure than a scanned email. A digital signature is legally binding. The 80's are dead.

Frankly, the past couple of weeks would have been a hell of a lot easier if I just forged a document every time someone asked for one. I wonder when someone's going to notice I've just Photoshopped the signature from my driving license into every document they asked me to print, sign and scan. I wonder if they do notice, if they'll question quite how ridiculously insecure an unwitnessed signature is.

Finally, I get annoyed that 'insecure' next to 'unwitnessed' looks horrible. But I still don't think we should standardise anything. Except power supply connectors.

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_{*And I'm still cool enough to capitalise the 'I'}